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Jt is wide for the figure, and the superfluous fullness is caught up in each hand in the act of putting on. The corner c will hang down in a point at the back. By and by another item of dress was added-a somewhat close-fitting, one-piece skirt of expensive material, which was similarly fastened by means of a girdle. 4-5), a garment for both sexes, which was introduced shortly after the establishment of the New Kingdom (c. C.), was a long robe quite unlike those just mentioned, differing from them both in cut and in the materials of which it was made.

The upper edge of garment is drawn tightly round the figure just under the breasts; the portions held in each hand are then tied together in a knot. 13 the cloak is knotted in with the skirt; this cloak is simply a rectangular piece of material. 13, 14, and 15 all show the popular Egyptian effect of drapery drawn tightly round the back of the limbs and falling full in front. To drape the costume on Fig, 17, which dates 1300 B. 17a and hold it at right side of waist in front, pass round the back and round the left side to front again, tuck in some pleats in centre front, and pass on round the back to left side of waist under left arm towards the front; ‘catch up the entire garment and throw over the right shoulder, pass the upper edge of the garment round the back of the neck and over the left shoulder and downwards across the breast to right, where the corner b should be tied to corner a. There was apparently more than one style of this garment.

It was either a coat covering the body from the hips or the procardium to the abdomen, supported by a band passing over one shoulder, or it even reached as far up as the neck.

Some forms of it were sleeveless while others had short and narrow or long and fairly wide sleeves. Sometimes it was wide and full, sometimes so close-fitting that it is difficult to understand how the wearer could walk.

Most probably, therefore, there were two ways of making the kalasiris.

The noteworthy details of the decorations on this plate are those illustrated at a. These are appendages from girdles such as worn by male figures; an example is Fig. The material of this appendage may be possibly of painted leather, wool Embroidered linen, or linen with metal mounts. C.; she is wearing two garments—namely, a skirt and cloak. in which the Egyptian influence is equally strongly marked; in this case, again, the garments are all rectangular pieces of material, the sleeves in one with the tunic. Bring it round to front of waist and pin it to the corners a and c at the left side of waist in front, passing the garment on round the front; tuck in a few pleats in centre front into the waist cord, then pass it round right side of waist and upwards across the back over the left shoulder, downwards across the breast to right side of waist; here pass a loop of material over the left wrist as shown in diagram; now pass a girdle round the waist over the entire drapery, knot it at right side of waist, confining the drapery as illustrated in Fig. Here are three other varieties of Egyptian costume. It was probably made of leather or quilted linen (plan, Fig. This figure is also wearing one of the characteristic belts with appendages (for detail see Plate IX., a and b). 6, but in addition has a stiff corselet (Plan 22a) of leather or quilted linen which is fastened at the side; the date of this figure is 1300 B. To judge from the most ancient representation that we possess, the Egyptians of the Old Kingdom (c. C.) wore a loincloth made of woven material, which was wrapped several times round the body and kept in place by a girdle.However, the older types of costume did not disappear as the new ones were introduced, but all continued to be worn contemporaneously.The dates of most of the costumes in this volume are given with their description, and have been verified at the British Museum.Many beautiful painted illustrations of this girdle appendage are to be found in the British Museum; e is from a feather fan. This skirt, which is frequently worn alone without the cloak, as shown in Fig. 14 are rectangular pieces of material; the tunic is two straight pieces of stuff sewn up the sides; the top edge is divided into three parts by pinning; these openings form the neck and arm-holes. To knot the cloak to the over-skirt, as shown in this figure, the fullness of the over-skirt should be bunched up in one hand; the two corners of the cloak are taken in the other hand and twisted together round the skirt in a knot. shows the fourth division of Egyptian costume — namely, the “Type of the Shawl or Drapery.” Several varieties of this type are illustrated. They have many resemblances to the draping of the well-known Indian sari of modern times. The ingenuity displayed in the draping of these costumes can only be realized when they are actually done upon a model. 18a and hold it at right side of waist in front, pass the edge a-b round back of waist to the left side and across the front of waist, pass it round the right side again under the right arm towards the back and upwards over the left shoulder; tie the corner a to corner b in front. In addition to this a wrap or a speckled skin was hung over the shoulders.12, is cut to exactly the same width top and bottom. The figure wears underneath a long tunic, and over this, tightening it in at the waist, an Egyptian skirt; a small Egyptian scarf is knotted to the skirt in similar fashion to the costume in Fig. The fourth division of Egyptian costume is shown in the examples on Plate X. It should be noted with regard to all Egyptian costumes of the more fully draped type that the entire draperies seem to radiate from one point, usually a knot at the waist, with very beautiful effect. 16, which is a modern drawing of Plate X., tie a cord round the waist, tuck in comer b (see plan. 16a) at left side of waist, pass round the back and round the right side to front again; make some pleats and tuck them in in centre front of waist, then pass round back again to right side; catch up the whole drapery and throw it upwards from right-hand side of waist under left arm-pit, pass on round the back and over the right shoulder towards front, then throw the remaining portion of garment across the chest and backwards over the left shoulder; take corner a and bring it round under right arm-pit, release corner b which you first tucked in, and tie it to “corner a. This costume continued right up to the time when the so-called Old Kingdom reached its highest brilliance, and the beauty and costliness of material and draping were the only marks that distinguished monarch and nobles from the lower classes.

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Plate I., which dates 700 b.c., is an exact copy of an Egyptian drawing. 3 and 4 are put on over the head; the measurements given will fit a slim figure without underclothing. 2 was most probably a piece of linen of the same length as this garment but wide enough to lap about half round the figure and have a piece tucked in at the top to keep it closed.

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