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In many ways this is like the old Simple Machines comps (hey, Jenny Toomey even plays on one of the songs), except that the Simple Machines bands really seemed to pride themselves on doing one sound and doing it well.On the other hand, by '95, indie rock was going every which direction.
Urge and urge and urge, Always the procreant urge of the world.
Swiftly arose and spread around me the peace and knowledge that pass all the argument of the earth, And I know that the hand of God is the promise of my own, And I know that the spirit of God is the brother of my own, And that all the men ever born are also my brothers, and the women my sisters and lovers, And that a kelson of the creation is love, And limitless are leaves stiff or drooping in the fields, And brown ants in the little wells beneath them, And mossy scabs of the worm fence, heap'd stones, elder, mullein and poke-weed.
fetching it to me with full hands; How could I answer the child?
I get the impression that the Flying Nuns were on the verge of exploding, but then they were dropped from Matador and left to lead a life of obscurity.
Sad because, as "Servicing Man" shows, they were definitely a cut above most other things in their style.
Her new anthology, The First Collection of Criticism by a Living Female Rock Critic, a volume that spans everything from pre-Internet era pieces that highlight the absence of women in the emo scene and the indignity of being alone on a sticky dance floor to stories on Hole, Kendrick Lamar and Miley Cyrus written for Spin, the Chicago Reader and Rolling Stone, weaves together the personal and the political in needle-sharp prose."What spurred me into action was that I was a fan of [punk band] Babes in Toyland, who were playing every week in Minneapolis when I was 14, 15 years old.